{"id":403,"date":"2012-07-02T19:29:48","date_gmt":"2012-07-02T19:29:48","guid":{"rendered":"http:\/\/www.dpaf.org.uk\/wp\/?page_id=403"},"modified":"2024-08-04T14:18:52","modified_gmt":"2024-08-04T14:18:52","slug":"notes-rules","status":"publish","type":"page","link":"https:\/\/www.dpaf.org.uk\/wp\/?page_id=403","title":{"rendered":"Notes & Rules"},"content":{"rendered":"

These apply to ALL Sections<\/strong>
\nPlease Read Carefully<\/em>\u00a0<\/strong><\/p>\n

Please note also our page on possible<\/span> Covid precautions<\/a>.<\/strong><\/p>\n

AGE<\/strong>\u00a0is taken as on 1st September IMMEDIATELY BEFORE the Festival. Incorrect age will lead to disqualification.<\/p>\n

BEGINNERS<\/strong>\u00a0Those learning a particular skill for less than two years.<\/p>\n

GRADE CLASSES<\/strong> Where grades are set, the piece should be appropriate to that grade. A competitor may not enter a class lower than the grade they have already achieved.\u00a0Or where several grades are grouped together the piece should be appropriate to the grade the performer is working at and will be adjudicated accordingly.<\/p>\n

OPEN CLASSES<\/strong>\u00a0Anyone, of any age, professional or amateur may compete at a level beyond Grade 8 standard.<\/p>\n

CONDUCTORS FOR MUSIC CLASSES<\/strong>\u00a0(choirs & orchestras) may conduct in more than one class. They must not sing or make any sound. Please bring own music stands.<\/p>\n

OWN CHOICE CLASSES<\/strong>\u00a0Legible scripts\/scores\/manuscripts must be given to the Adjudicator’s Steward with a postcard stating class number, entrant\u2019s name, author, title, & publisher when the competitor is called; please do not send them in advance. No set piece may be used again as an Own Choice. Choices from all recent and current Guildhall, Trinity, LAMDA & ABRSM lists (or equivalent) will be acceptable.<\/p>\n

PHOTOCOPIES<\/strong>\u00a0When an Own Choice is selected from a publication containing several works and is not published separately, one copy may be made for the use of the Adjudicator provided the competitor has already purchased his\/her own copy and that the copy made is subsequently destroyed. This permission does not apply to set works. Details of all items performed at this Festival are required by the Performing Rights Society.<\/p>\n

RECORDED ACCOMPANIMENTS<\/strong>\u00a0 These are permitted if you do not have access to a suitable live accompanist, but must be only instrumental tracks (ie no recorded vocals), and no amplification of the soloist is permitted. The Festival is affiliated to the British & International Federation of festivals and participates in its Group Licence covering fees for the use of recorded music. Teachers using recordings created from commercial recordings must themselves obtain permission to re-record from the record companies concerned.<\/p>\n

TIME LIMITS<\/strong>\u00a0Maximum timings are listed for each class: you may perform in less time if you wish, but marks may be lost for exceeding the time limit. Any performance exceeding the time limit may be terminated by the Adjudicator.<\/p>\n

NON-COMPETITIVE ENTRIES<\/strong>\u00a0may be accepted for any class. If this is clearly stated on the entry form, only oral and written criticisms will be given (no mark or trophy).<\/p>\n

SUBSTITUTION<\/strong>\u00a0of competitors only under exceptional circumstances, and by prior agreement of the Committee whose decision is final.<\/p>\n

REFUND of ENTRY FEES<\/strong>\u00a0We do not normally make refunds, but may do so at the discretion of the Committee. Where refunds are made, an Administration Fee of 10% of the fee will be levied.<\/p>\n

MOBILE TELEPHONES<\/strong>\u00a0must be silenced.<\/span><\/strong><\/p>\n

AUDITION CONDITIONS<\/strong>\u00a0are required throughout. Coaching in any form will lead to immediate disqualification.<\/p>\n

NO SMOKING<\/strong>\u00a0in any part of the Festival venue, at any time.<\/p>\n

SELECTING DATES & TIMES<\/strong> Classes are mostly heard during the day, but we try to organise the timetable so that adults and older children are heard in the evening. Organising the programme is complex, and although the Committee does try to accommodate requests for specific performance dates and times, such requests cannot always be met and this cannot be taken as a reason for a refund of fees paid.<\/p>\n

PROGRAMME TIMES<\/strong>\u00a0– are approximate and competitors may be asked to perform (at the Adjudicator’s discretion) up to 15 minutes earlier than scheduled.<\/p>\n

ADJUDICATION<\/strong>\u00a0in all cases, the adjudicator’s decision is final, and not open to debate. Adjudicators are highly experienced experts in their field. They advise, encourage and sometimes admonish. Entering the Festival is a rare opportunity to obtain criticism at the highest level as a performer, and although there are inevitably fewer winners than candidates, it is those who act upon the adjudicator’s remarks who gain most.<\/p>\n

RECORDING & PHOTOGRAPHY<\/strong>\u00a0– The Festival is bound by copyright law and cannot allow any type of photography, audio\u00a0or video recording, all of which are absolutely forbidden during performances or adjudication. Please also refer to our Safeguarding Policy<\/a>.<\/p>\n

Please also refer to our\u00a0Safeguarding Policy<\/a><\/p>\n

TROPHIES<\/strong>\u00a0will be presented to Winners gaining a minimum Certificate\u00a0Level of Commendation. They must be returned in good condition by 15th February to the Trophies Officer<\/a>. If in doubt, please contact any member of the Committee (see list of Festival Officials<\/a>). Trophies may be appropriately engraved at the winner’s expense.<\/p>\n

The Committee reserves the right to award different trophies to those listed here.<\/p>\n

Several trophies are awarded on the strength of performances in more than one class. Claims for these awards must be lodged with Festival officials by the last day of the competitions. No claims can be considered after this. If in any doubt please make a claim.. Some classes have no trophies allocated yet. We invite the donation of trophies for these.<\/p>\n

<\/a>MARKING<\/strong><\/p>\n

Devon Performing Arts Festival uses the category marking system of the British and International Federation of Festivals, which from the 2025 festival has been modified<\/strong>. Competitors will be placed into categories as below.<\/p>\n

A winner will usually be named, and possibly one or more runners-up.<\/p>\n\n\n\n\n\n\n\n\n\n\n
Marking Band<\/strong><\/td>\nDescriptors<\/strong><\/td>\nCriteria<\/strong><\/td>\n<\/tr>\n
Developing<\/strong>
\n(65 – 69)<\/td>\n		A performance demonstrating an awareness of technical skills, requiring more consistency & artistry<\/td>\nAn inconsistent performance with an overall need for accuracy and \/or continuity and artistic development<\/td>\n<\/tr>\n
Progressing<\/strong>
\n(70 – 74)<\/td>\n		A performance showing development of technique and\/or communication and commitment<\/td>\nA generally secure performance in notes and rhythm at a reasonable tempo but as yet with limited attention to detail, tonal qualities, and style.<\/td>\n<\/tr>\n
Merit<\/strong>
\n(75 – 79)<\/td>\n		A competent performance, showing some artistic awareness and\/or technical ability<\/td>\nMostly fluent and accurate, with some awareness of tone and style, but requiring a sense of communication and performance.<\/td>\n<\/tr>\n
Commended<\/strong>
\n(80 – 84)<\/td>\n		A convincing performance technically & artistically, with increasing stylistic & communication skills.<\/td>\nConfident, with clear evidence of tonal and stylistic qualities and a developing awareness of communication and performance, although there may be moments of imprecision.<\/td>\n<\/tr>\n
Honours<\/strong>
\n(85 – 89)<\/td>\n		An excellent performance, demonstrating fluent technical and artistic skills with emerging individuality.<\/td>\nAssured and expressive, demonstrating a high level of technical security, imagination and stylistic insight and with a real sense of communication and performance, although small blemishes may be present.<\/td>\n<\/tr>\n
Outstanding<\/strong>
\n(90 – 94)<\/td>\n		An impressive performance technically and artistically, displaying spontaneity & clear individuality.<\/td>\nA stimulating, imaginative and persuasive performance, showing stylistic flair, interpretative insight, poise and unobtrusive technical command.<\/td>\n<\/tr>\n
Exceptional<\/strong>
\n(95+)<\/td>\n		A superlative performance, displaying exceptional artistic individuality<\/td>\nAn astonishingly impressive performance displaying effortless technical control and superlative individuality in its artistry, and profound musical insight.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

VOLUNTEERS<\/strong>\u00a0We are constantly seeking ‘new blood’ to support the Festival’s work and future plans. Please telephone or email the Administrator\u00a0our Administrator<\/a>\u00a0if you are interested in becoming involved.<\/p>\n

HALL OF FAME<\/strong>\u00a0We are currently preparing records of the many entrants who have been launched on their performing careers by their early efforts in the Devon Performing Arts Festival. It may be assumed that we know who they all are – we don’t. The type of thing we are looking for is \u201cDid you know that X first sang at the Devon Festival in 1981 at the age of 8 and is now an Opera Singer touring with the YZ Opera Company?\u201d Please tell us. Once we are satisfied that we’ve included as many as we can, we hope to publish the results. We should also welcome information about the history of any of the Devon Festival trophies for our website.<\/p>\n

GALA CONCERT<\/strong>\u00a0 Following the four weeks of the Festival competitions we invite some of the most outstanding acts from each discipline to perform in front of a large public audience. Some of the major awards will be presented. The Gala Concert is an impressive showcase of the Region’s talent as displayed throughout the Festival, and will be produced and presented by festival entrants.<\/p>\n","protected":false},"excerpt":{"rendered":"

These apply to ALL Sections Please Read Carefully\u00a0 Please note also our page on possible Covid precautions. AGE\u00a0is taken as on 1st September IMMEDIATELY BEFORE the Festival. Incorrect age will lead to disqualification. BEGINNERS\u00a0Those learning a particular skill for less … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-403","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.dpaf.org.uk\/wp\/index.php?rest_route=\/wp\/v2\/pages\/403","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.dpaf.org.uk\/wp\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.dpaf.org.uk\/wp\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.dpaf.org.uk\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dpaf.org.uk\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=403"}],"version-history":[{"count":30,"href":"https:\/\/www.dpaf.org.uk\/wp\/index.php?rest_route=\/wp\/v2\/pages\/403\/revisions"}],"predecessor-version":[{"id":2758,"href":"https:\/\/www.dpaf.org.uk\/wp\/index.php?rest_route=\/wp\/v2\/pages\/403\/revisions\/2758"}],"wp:attachment":[{"href":"https:\/\/www.dpaf.org.uk\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=403"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}